This article originally appeared on www.rollingstone.com: Review: My Morning Jacket's Jim James Reworks Brian Wilson, Sonny and Cher on Second Covers Set

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This article originally appeared on www.rollingstone.com: Review: Luke Bryan Reminds Us He's Still Country on Diverse New Album

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This article originally appeared on www.rollingstone.com: Review: The Rolling Stones' Scrappy Sixties Radio Recordings Show Early Roughneck Greatness

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This article originally appeared on www.rollingstone.com: Review: Neil Young Channels More Cranky Rage, Ageless Idealism With Promise of the Real

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This article originally appeared on www.rollingstone.com: Review: Chris Stapleton, One of Country's Hottest Names, Makes It a Double

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It is nearly business as usual. "Nothing to stop this being the best day ever," Bono declares in "Love Is All We Have Left," at the start of U2's sequel to 2014's Songs of Innocence . But the singer's delivery is striking in its restraint: like cautious prayer or a fragile wish, suspended over the rippled-sea strum of the Edge's guitar and Adam Clayton's bass-guitar gravity. Bono quickly This article originally appeared on www.rollingstone.com: Review: U2 Faces Down Mortality, Reconnects With the Power of Music

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This article originally appeared on www.rollingstone.com: Review: Miguel Throws a Psychedelic-Funk Party for a World in Flames

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This article originally appeared on www.rollingstone.com: Review: Pharoah Sanders LPs Resurrect Key Work by Spiritual-Jazz Godfather

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Just after Liam Gallagher released his great As You Were, here comes his brother Noel with a fine one of his own – it's almost like they're in a rivalry. His latest with the High Flying Birds is a dazzling mess spackled together from the influences he's been tapping since Oasis' golden age – post-Stone Roses rave rock ("Fort Knox"), glam stomp ("Holy Mountain"), Smiths-Beatles shimmer This article originally appeared on www.rollingstone.com: Review: Noel Gallagher, Cantankerous Oasis Refugee, Still Has Tunes to Burn

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"Two music nerds obsessing … sending each other mp3s" sings Björk euphorically over harp arpeggios, while multi-tracked Björks chirp cherubically in the background. The track, a very Björkian reverie titled "Blissing Me," sets the tone for a record that's in some ways a polar opposite to 2015's incandescently brooding Vulnicura . That LP was a surgical examination of post-breakup grief This article originally appeared on www.rollingstone.com: Review: Björk Paints Fractured 'Utopia' With Cutting-Edge Co-Producers

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This article originally appeared on www.rollingstone.com: Review: Charlotte Gainsbourg Takes Spacey Trip With Sir Paul, Half of Daft Punk

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This article originally appeared on www.rollingstone.com: Review: Tove Lo Continues Dark Lust Saga on 'Blue Lips'

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This article originally appeared on www.rollingstone.com: Review: Morrissey, Alt-Rock's Greatest Stand-Up, Still Has It on Album Number 11

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This article originally appeared on www.rollingstone.com: Review: Soul Queen Sharon Jones Offers a Powerful Posthumous Farewell

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This article originally appeared on www.rollingstone.com: Review: Mavis Staples and Producer Jeff Tweedy Fight the Powers That Be

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This article originally appeared on www.rollingstone.com: Review: Evanescence Flourishes With the Classical Makeover of 'Synthesis'

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This article originally appeared on www.rollingstone.com: 'Reputation' Review: Taylor Swift Ditches Tabloid Drama on Most Intimate LP Yet

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This article originally appeared on www.rollingstone.com: Review: Kelsea Ballerini's Latest Crosses Country-Pop Boundaries

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This article originally appeared on www.rollingstone.com: Review: Kid Rock's Latest Mixes Lame Jokes With Genuine Heartland Empathy

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This article originally appeared on www.rollingstone.com: Review: Maroon 5 Still Deftly Navigating the Pop Moment on New LP